The Canon XA 60 is a professional 4K streaming camera offering superlative image quality thanks to its 1/2.3 inch CMOS sensor, 20x optical zoom and 5 axis image stabilisation. This streamlined model features a larger 3.5 inch LCD touchscreen display, a tiltable, higher resolution 0.36″ OLED EVF, XF-AVC and MP4 recording formats, OSD metadata recording, and a fast USB type-C video-only output with UVC support for livestreaming to a computer. You can use the camera as a webcam, using the USB cable.

The Sony PXW-Z190 4K Camcorder is a handheld camcorder that captures 4K at up to 60p, relying on three 1/3″ Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video.

It was the world’s first 4K system camera and is the flagship camera in Sony’s extensive range of UHD and HD camera channels. The Sony HDC-4300 delivers unparalleled UHD, HDR image capture in the studio and in the field.

As more and more sports coverage is broadcast in UHD, the Sony HDC-4800 answers the need for a dedicated 4K slow motion camera. It allows you to capture split-second action in extreme slow motion – all in stunning 4K. With viewer demand for ever more intricate and detailed slow-motion footage, the HDC-4800 is set to become a critical component in any 4K live sports production equipment line-up.

The Sony FX6 records outstanding 4K full-frame quality at up to 120p. Its excellent low light capabilities (up to 409600 ISO), fast readout speeds, and a dynamic range of 15+ stops deliver superb image quality with wide sensitivity and reduced noise. Being a smaller brother of Sony FX9 or Venice, this camera would be perfect in a documentary, gimbal and drone shoots enviroment.

The Sony FX3 is a compact camera with amazingly fast hybrid autofocus, superb low light performance and 4K image capture in 120fps. Not to mention optical in-body 5-axis image stabilisation, exceptional 15+ stops, 16-bit RAW over HDMI as well as full XLR inputs through the top handle.